Harry Potter and the Order of the Phoenix was the first movie I've watched in a cinema outside Singapore. A little on this: I went to the Dendy Cinemas at Canberra Centre on 110707, the first release date globally (and a day before Singapore). Yao rightly commented that this was probably the only moment you can see kiasuism in Australians; the queue outside the cinema was pretty intimidating when we arrived half an hour before screening time. This, however, can be understood as the cinema was free seating.
Back to the film, Phoenix is done quite well as a whole. In my opinion, it scores better than The Prisoner of Azkaban, which was too quirky and cliche to my taste, and The Goblet of Fire, which saw a very rushed pace and off-character acting. In terms of storyline, Phoenix did very well in building up the profile for Umbridge. It started off slick and smooth, and progressed at an excellent pace. But once it neared the end, things started getting too fast. I have read the book so I could at least follow what was going on, but Yao, who never, was quite lost at the end. It appears to me as if the director took his own time to develop the character of Umbridge and stew the plot into the appropriate mood, and then suddenly realised he was running out of time and flipped through the last few chapters. And suffering from the same flaw of GoF, the supposedly emotional and touching part was quite blundered. It just didn't fit into the flow, like a jarring rock breaking the surface of a smooth river. And there wasn't even the "mourning" part; it was as if Harry took a bowl of Forgetfulness Potion.
One of the major challenges that I thought would trip the filmmakers was building up Umbridge, but they amazed me: Dolores Umbridge was successfully ported to screen. Of course, there were some minor differences between the Umbridge from the book and the film, but the essence of her character was very well captured. Imelda Staunton, who plays Umbridge, brilliantly nailed the character's wickedness and provocativeness, sizzling with nastiness that would make one feel like stamping a boot into her face. Another excellent portrayal is Alan Rickman's of Severus Snape. Although he has quite limited screen time, he really did shine with what he was given. Undoubtedly, fans of Rickman and supporters of Snape will be thrilled. Helena Bonham Carter's performance as Bellatrix Lestrange was pretty good as well, but she could've gotten a larger slice of screen time. In fact, considering that the film is slightly more than two hours, the directors could've loosen up the pace of the ending which would, at the same time, give her more time on screen. Finally, whether it was because of irate fans or not, Michael Gambon's Albus Dumbledore was closer to the books now, and I think he did fine with that character.
For someone who has read the book, the story was adapted quite well; for someone who hasn't, he or she may be a bit lost at the end, but the movie is otherwise excellent. In fact, I would even say it is the best Potter movie so far.
Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts
27 May 2007
Movie Review: Spider-man 3
I have watched this super-hyped blockbuster about a fortnight ago, but has delayed a review until today because I needed time to think about the plausibility of the characters' attitudes and emotions. These twisting feelings, prima facie, appear realistic, but the more I think about it, the more I feel that it has been grossly exaggerated. But first, the other aspects of the movie.
The storyline sans the emotions has involved far too much of what a two- and a half-hour movie can handle. Many characters that play a rather important role had too little screen time, such as Eddie Brock a.k.a. Venom. (As a side note, some have commented that Venom was weak and defeated too easily, but I'm actually fine with that. In fact, I would rather have this than prolonged punching and throwing.) Flint Marko a.k.a. Sandman was another, having a powerful background story of a sick daughter needing money for medical treatment, yet has that part seemingly left hanging in the air (though I suppose future Spider-man movies will touch on this). The only part of the story I thought was nicely done was with Harry Osborn. In short, the storyline has too many branches and failed to develop most of them properly.
A consequence to this over-branching storyline (even if they were well developed) is its conclusion. Spider-man 3 suffers the same problem as The Lord of the Rings: The Return of the King, i.e. too long an ending. (But you can hardly blame Peter Jackson: he inherited that problem.) I remember myself, while watching the end, wondering when the hell the movie was going to end.
Other aspects of the movie were good, such as the graphics and sound. The music didn't stand out, but it did its job in supporting the movie. The actions, in my opinion, were a bit excessive and at times I was bored with all those swinging and punching which never seem to end. The acting was okay... nothing outstanding, but nothing I am dissatisfied with. Tobey Maguire's portrayal of the emo Peter Parker was hardly convincing, but given the extreme contrast with the typical Peter Parker, I cannot really fault him. Then again, this could've been done on purpose.
So, back to the emotions, there are several parts to this: Spider-man's indulgence in his own fame and failure to comprehend the dynamics of his relationship with Mary Jane Watson; her reactions to his lack of understanding; and his actions and thoughts following the breakup.
Regarding the first, I think it failed terribly to convince me of its plausibility. Certainly, he can't possibly kiss Gwen Stacy without knowing that it will affect Mary Jane negatively. He would be too great a jerk not to realise this. But I think the other part - not fulfilling the role which Harry did instead - was quite possible, given Peter's responsibility and character.
As for her reactions to this, I think, with or without Harry's intervention, she would've acted the way she did. That is, her reaction is pretty much expected. So that's okay. But coming to Peter's emo state, I think it is again too far a swing. Sure, he would've felt angry, despaired and even vengeful, but for him to actually change his character totally, and seeking revenge in such a elaborate fashion is really going too far. But then, there's the symbiote to put the blame on.
So all in all, Spider-man 3 is pretty average as a movie, worth watching as part of a series, but on its own, it becomes those watch-it-if-you-have-no-other-movies-in-mind kind of movie for me.
The storyline sans the emotions has involved far too much of what a two- and a half-hour movie can handle. Many characters that play a rather important role had too little screen time, such as Eddie Brock a.k.a. Venom. (As a side note, some have commented that Venom was weak and defeated too easily, but I'm actually fine with that. In fact, I would rather have this than prolonged punching and throwing.) Flint Marko a.k.a. Sandman was another, having a powerful background story of a sick daughter needing money for medical treatment, yet has that part seemingly left hanging in the air (though I suppose future Spider-man movies will touch on this). The only part of the story I thought was nicely done was with Harry Osborn. In short, the storyline has too many branches and failed to develop most of them properly.
A consequence to this over-branching storyline (even if they were well developed) is its conclusion. Spider-man 3 suffers the same problem as The Lord of the Rings: The Return of the King, i.e. too long an ending. (But you can hardly blame Peter Jackson: he inherited that problem.) I remember myself, while watching the end, wondering when the hell the movie was going to end.
Other aspects of the movie were good, such as the graphics and sound. The music didn't stand out, but it did its job in supporting the movie. The actions, in my opinion, were a bit excessive and at times I was bored with all those swinging and punching which never seem to end. The acting was okay... nothing outstanding, but nothing I am dissatisfied with. Tobey Maguire's portrayal of the emo Peter Parker was hardly convincing, but given the extreme contrast with the typical Peter Parker, I cannot really fault him. Then again, this could've been done on purpose.
So, back to the emotions, there are several parts to this: Spider-man's indulgence in his own fame and failure to comprehend the dynamics of his relationship with Mary Jane Watson; her reactions to his lack of understanding; and his actions and thoughts following the breakup.
Regarding the first, I think it failed terribly to convince me of its plausibility. Certainly, he can't possibly kiss Gwen Stacy without knowing that it will affect Mary Jane negatively. He would be too great a jerk not to realise this. But I think the other part - not fulfilling the role which Harry did instead - was quite possible, given Peter's responsibility and character.
As for her reactions to this, I think, with or without Harry's intervention, she would've acted the way she did. That is, her reaction is pretty much expected. So that's okay. But coming to Peter's emo state, I think it is again too far a swing. Sure, he would've felt angry, despaired and even vengeful, but for him to actually change his character totally, and seeking revenge in such a elaborate fashion is really going too far. But then, there's the symbiote to put the blame on.
So all in all, Spider-man 3 is pretty average as a movie, worth watching as part of a series, but on its own, it becomes those watch-it-if-you-have-no-other-movies-in-mind kind of movie for me.
11 April 2007
Movie Review: Mr Bean's Holiday
I caught this movie last Wednesday, firstly, in hope that it can give me a good stress relief in this insanely stressed period and, secondly, because I think I deserve a little treat after a mad rush of deadlines and tests. The first Mr Bean movie totally blew me off: for a comedy it was first class. Three scenes in particular - the toilet incident, the simulator "enhancement" and Mr Bean's modification to the painting - stood out as those laugh-until-lao-sai kind of gags.
Unfortunately, this second movie is woefully lacking in those. If there's a funniest scene, it was when Mr Bean is trying to beg for money in the train station. But that hardly qualifies as hilarious when contrasted with the three mentioned scenes from the first movie. Looking back, this movie is perhaps geared for nostalgic purposes than for laughing: I remember more Beanish grunts and sniggering than quality Bean jokes.
The story is a simple plot but swung into a ridiculous curve. That is forgivable if it's funny; unfortunately it's only mildly so. Personally, I have the impression that this movie is based more on the cartoon series than the first movie or the TV series. And I have to say I find the cartoons a far cry from the TV series. This poor plot is probably because it was not written by Rowan Atkinson and Richard Curtis, the writers of the series and the first movie.
Considering that, according to Rowan Atkinson, this is the last time he will be playing Mr Bean, it is quite a sad way to end the series. For a comedy this is not worth watching, but for that purpose of the series' end, it is. Rowan Atkinson is so much more talented than Mr Bean and it has given him international recognition for his comedic abilities; it's time to move on.
Unfortunately, this second movie is woefully lacking in those. If there's a funniest scene, it was when Mr Bean is trying to beg for money in the train station. But that hardly qualifies as hilarious when contrasted with the three mentioned scenes from the first movie. Looking back, this movie is perhaps geared for nostalgic purposes than for laughing: I remember more Beanish grunts and sniggering than quality Bean jokes.
The story is a simple plot but swung into a ridiculous curve. That is forgivable if it's funny; unfortunately it's only mildly so. Personally, I have the impression that this movie is based more on the cartoon series than the first movie or the TV series. And I have to say I find the cartoons a far cry from the TV series. This poor plot is probably because it was not written by Rowan Atkinson and Richard Curtis, the writers of the series and the first movie.
Considering that, according to Rowan Atkinson, this is the last time he will be playing Mr Bean, it is quite a sad way to end the series. For a comedy this is not worth watching, but for that purpose of the series' end, it is. Rowan Atkinson is so much more talented than Mr Bean and it has given him international recognition for his comedic abilities; it's time to move on.
05 January 2007
Movie Review: Curse of the Golden Flower
It's not a movie I was dying to watch; it's not even one which I would consider watching. But since some friends have asked me to join in, I thought I might as well do so, since I haven't watched a movie some time, and I was pretty impressed by Zhang Yimou's Hero as well.
So how does Curse of the Golden Flower measure up? It's certainly not Heroic, but I do think it is better than Zhang's other film House of Flying Daggers. It has Zhang's trademark use of staggering visuals and colours in his scenes, but it also has (at least for his internationally successful movies) his trademark of a simple storyline spun into a confounding plot.
I'm not sure if that was deliberate... a choice of his... but I thought he could do better with a deeper or more meaningful story. This one is mainly about betrayal and assassination within the royal family, and once one strips off the confusing excesses, the plot is pretty straightforward. And this movie is a love story/soap opera, which isn't my genre of movies or stories.
As mentioned, Zhang's use of colours and breathtaking visuals are excellent, as usual, though this time most of the scenes take place indoors. The music, on the other hand, is rather crappy. There was consistent use of choir-like music (no words though, just singing of the tune) which seemed to be a blend of those Latin choir pieces that Hollywood likes so much nowadays and traditional Chinese orchestral music. I don't know what other people think, but I found it disappointing. In any case, I did not stay during the credits to listen to Jay Chou's song for the movie, so no comments on that.
Oh, if the music director did a bad job, the costume designer was even worse. Before watching the movie, I already heard complaints of scantily clad actresses in the movie (excluding those that are not supposed to look nice). And they certainly weren't exaggerating. Looking at the progression of Zhang's movies since Hero, I see a trend of females wearing less and less. I suppose in his next few movies we can expect ancient Chinese women prancing around in bikinis or nipple rings.
Lastly, the acting was disappointing. It had strong and experienced artistes: Chow Yun-Fat and Gong Li, but I didn't see any brilliance in them. Okay, Gong Li wasn't that bad, but I was far from impressed by Chow Yun-Fat. For some reason, I doubt he is suitable for that role. As for Jay Chou, I think for a newcomer he's fine. Not unexpectedly, he's not very capable of showing expression (he somehow seemed to be stuck eternally in his boh chup (nonchalant) look), but if he puts in more effort in his future movies, he'll turn out to be a decent actor. After all, given his huge fan base, most movie producers would like to have him in.
Before I end, I must say that I currently may not be in the most lenient mood to judge movies. Having finished, from renting VCDs, certain critically acclaimed movies like The Constant Gardener and The Pianist, it'd be hard for movies to look good in my eyes. Curse of the Golden Flower is decent, but it could've been better.
So how does Curse of the Golden Flower measure up? It's certainly not Heroic, but I do think it is better than Zhang's other film House of Flying Daggers. It has Zhang's trademark use of staggering visuals and colours in his scenes, but it also has (at least for his internationally successful movies) his trademark of a simple storyline spun into a confounding plot.
I'm not sure if that was deliberate... a choice of his... but I thought he could do better with a deeper or more meaningful story. This one is mainly about betrayal and assassination within the royal family, and once one strips off the confusing excesses, the plot is pretty straightforward. And this movie is a love story/soap opera, which isn't my genre of movies or stories.
As mentioned, Zhang's use of colours and breathtaking visuals are excellent, as usual, though this time most of the scenes take place indoors. The music, on the other hand, is rather crappy. There was consistent use of choir-like music (no words though, just singing of the tune) which seemed to be a blend of those Latin choir pieces that Hollywood likes so much nowadays and traditional Chinese orchestral music. I don't know what other people think, but I found it disappointing. In any case, I did not stay during the credits to listen to Jay Chou's song for the movie, so no comments on that.
Oh, if the music director did a bad job, the costume designer was even worse. Before watching the movie, I already heard complaints of scantily clad actresses in the movie (excluding those that are not supposed to look nice). And they certainly weren't exaggerating. Looking at the progression of Zhang's movies since Hero, I see a trend of females wearing less and less. I suppose in his next few movies we can expect ancient Chinese women prancing around in bikinis or nipple rings.
Lastly, the acting was disappointing. It had strong and experienced artistes: Chow Yun-Fat and Gong Li, but I didn't see any brilliance in them. Okay, Gong Li wasn't that bad, but I was far from impressed by Chow Yun-Fat. For some reason, I doubt he is suitable for that role. As for Jay Chou, I think for a newcomer he's fine. Not unexpectedly, he's not very capable of showing expression (he somehow seemed to be stuck eternally in his boh chup (nonchalant) look), but if he puts in more effort in his future movies, he'll turn out to be a decent actor. After all, given his huge fan base, most movie producers would like to have him in.
Before I end, I must say that I currently may not be in the most lenient mood to judge movies. Having finished, from renting VCDs, certain critically acclaimed movies like The Constant Gardener and The Pianist, it'd be hard for movies to look good in my eyes. Curse of the Golden Flower is decent, but it could've been better.
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